Throughout the eighteenth century, it was a commonplace that sodomy was imported from Italy and France, if not from more exotic locales, and often the monastery and convent were seen as the precise locale where same-sex desire could flourish. In talking about how to educate a son, he writes:. In The Italianas I have argued, Radcliffe creates a context in which this maternal fantasy is no longer delusive. Susie Bright's Erotic Screen: I met Jamie when he was dating young Amber Lynn in If Hitchcock only begins to suggest an answer to this question, he also makes it clear that the question is not as simple as it sounds. The Inquisition is a useful trope for religio-political violence, and when it is coupled with the excessively victimized female, as it is here, it begins to suggest the ways in which such dominant fictions work in private fantasy.
In talking about how to educate a son, he writes:.
Ma Mere - My Mother
This description continues in painstaking physical detail, and each fetishized body part adds to the erotic and transgressive qualities of the scene. The politics of religion and sexuality in the experience of gothic fiction, at least, have much in common. He finds something to complain about in the handling of the Bible, but never mentions an injustice to monks, nuns, or Catholics in general. For these two inhabitants of the convent, this language may be all that is available to them; but at the same time, they can use religion to justify even these muted expressions of same-sex love. After she shot Brando, she should have shot Bertolucci. This shift in erotic object begins to suggest an erotic intimacy between the two women, an intimacy that the convent setting encourages. In that way, these writers contribute to what we understand as the history of sexuality.